Although Canon 750D is one of the best cameras for the relatively more price-sensitive photographer, some precise tweaks with the lenses can turn the photo-shooting experience into something totally unavoidable if you want to get the perfect shots.
It is imperative to mention that although everyone likes the neat and simple 750D, adding a little bit of variety in terms of lens selection goes a long way in making the camera an unputdownable choice for both the rookie and seasoned photographers.
The lenses we have mentioned below are not mandatory for anyone but when you are very sensitive and careful about taking the perfect shot, these options invariably add value to your choice depending on the kinds of shots you intend for.
These lenses not only expand the options for taking that specific shot but since they bring a lot of perfection onto the overall procedure, spending a little more money on these lenses will in no way leave you disappointed, especially if you want to stay atop the entire rookie brigade.
When it comes to choosing the best lens for portraits, there are basically three options in every photographer’s hands – the f/1.8, f/1.4 and the f1.2. Although the L f/1.2is the best amidst the pack in terms of construction and image quality, the f/1.4 USM brings a lot of helping features on to the table.
The f/1.2 definitely helps when it comes to weather sealing the photography experience but it is best suited for those who seek variety in their images. Meanwhile, the 50mm f/1.4 is not only great in terms of quality and bokeh, but it also makes the entire photography experience a pleasant one with its cropped sensor body.
The downsides include the toy-like feel and harsh background blur quality and flare is also a notable problem with this lens. However, it remains one of the top choices for all since it brings a lot of value to the photography experience.
2. Canon EF 85mm f/1.2L II USM
Unlike the f/1.4, the f/1.2 L II USM is a heavier and more usable lens that is perfect for portraits and photos that need perspective distortion.
The other notable features this lens brings on to the table include razor-sharp image quality and variation of notable range in making the photography experiences palpably memorable.
This lens is also the one with the widest aperture among all lenses currently made by Canon, and the options of handholding and action stopping in dark situations make it a very preferable lens for all-purpose photography.
The L-series lens comes packed with features perfect for sports photography. Electronic manual focusing is another good feature that helps the 85mm f/1.2 retain the top slot in lenses that focus on background diffusion.
The drawbacks of this lens include a relatively slower focusing speed and inability to capture close and fast-approaching objects.
3. Canon EF 100mm f/2.8L Macro IS USM
This lens comes with a dedicated macro and hence is perfect for closer and more detailed photographs especially required in scientific and business domains.
With the best choice with excellent balance and sharpness, this lens is definitely a plus for photographers who want to explore the details in an image. If you are seeking fun and is concerned about the utility of small focal length with great image quality, this is the most appropriate lens for a Canon 750D.
Extremely sharp even when wide open, the f/2.8L is a prized possession for stylish photographers who seek nice looks along with very sharp images. Overall, it is a greatly built lens with IS, weather sealing and L-designation is a great addition for photographers seeking internal, fast, quiet and accurate images.
Downsides include ineffectiveness in case of macro distances and considerable background blur.
4. Canon EF 35mm f/1.4L USM
Useful for creative pursuits, the Canon EF 35mm f/1.4L USM is a highly dependable lens that can make photography more fun and stylish at the same time.
Suitable for almost all occasions, including indoor and outdoor photography, this lens adds excellent value to variety and sharper image considerations at a comparatively cheaper price.
The lens is unavoidable for those who don’t own a prime lens that is 50mm or equivalent. The build quality is one of the best among all Canon lenses and the f/1.4L with an inbuilt ultrasonic motor.
This is probably a very silent and fast lens that can make outdoor and dynamic photography a matter of utmost pleasure. The lens is a very good option for landscape photography.
The disadvantages of Canon EF 35mm f/1.4L USM include being very short with close subjects and less specific motion response at lower shutter speeds.
5. Canon EF 14mm f/2.8L II USM
If one is not shooting for wider angle images, the Canon EF 14mm f/2.8L II USM is an exceptionally completely full-frame lens that is suitable for shooting landscapes or creative wide angles shots.
This lens is probably meant more for professionals than hobby-intended photographers as the specifications of the lens are more inclined toward professional photography than general uses of pretty costly lenses.
The ultra-wide angle EF lens is very versatile and had a high build quality that makes taking photos with optimum sharpness a pleasurable experience.
The lens is weather-sealed and with an excellent Ultrasonic Motor (USM), it is a great choice for professionals who need to capture more versatility than overall image quality.
The drawbacks include the coma that makes the stars in corners turn into little flying saucer-like while shooting during the nights. Aberrations in the corners is also a noticeable disadvantage.
While all the lenses mentioned above make great sense and are all suitable for the Canon 750D to make it a great weapon for the digital life we now are in, the Canon EF 85mm f/1.2L II USM is probably the best choice among the entire set.
The lens is exquisitely sharp and contrasty, and it is excellent even wide open and even in the corners. This lens is a peaceful option even in full-frame.
The most interesting feature of the lens is, however, it is a grapefruit-sized behemoth with extraordinary optic features that provides awesome images, taking care of the corners and the center equally well enough.
Sure, the lens has some drawbacks too. The Slow autofocus that is needed for accurate f/1.2 focusing is an issue that brings a headache to many professionals and rookies alike.
The lens is also clumsy, and having an indirect electronic manual focus makes it less effective in low light and long-distance situations. The lens also doesn’t focus very close and is only 3.2′ (0.95m) at its best.
The lens also has a little more flare than the Canon 85mm f/1.8 which is again a notable drawback. Moreover, size-wise, the lens is huge and heavy and the price-tag that’s affixed to it surely makes it more expensive than what it should be.
However, don’t be carried away with all these drawbacks, the Canon EF 85mm f/1.2L II USM is a mighty weapon for professional photographers and it brings a lot of value addition onto the table.
For a collector-user who loves the best more than the real and practical utility, this lens is a beast that will never lose a fight with even the king of the jungle.
With a lot of metal instead of plastic as is in the case of all other lenses mentioned above, this one is a mighty warrior ready for all tough and rough conditions that may come on the path of an expert photographer.
The lens is bulky and the price tag is a bit on the higher level but as every detail-oriented professional would except, the Canon EF 85mm f/1.2L II USM is a lens that can instill life into photographs and all other disadvantages except the price-tag is ignore-able because the ultimate output this lens provides when affixed to a less pricey 750D is simply out of this world.
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